DINDY VAUGHAN MUSIC
Keep up to date about Australian composer, activist and writer Dindy Vaughan's upcoming events.
Starting professional life as an academic lecturer, Dindy Vaughan expanded her career to encompass community development, with particular focus on arts and the environment. She maintained her own professional development in music, and is a recognised Australian composer.
Through her business, Gallery Without Walls, she contributes to career development of artists, writers and musicians, establishment of arts and environment programs, and growth of arts and cultural centres within communities.
Music composition is a life-long preoccupation – with her CD Up the Creek (music for shakuhachi and harpsichord), reflecting her intense concern at the state of the nation’s waterways, she was a Finalist in the Australian Classical Music Awards, 2006.
Commissioned by Music Glenelg, Portland, she wrote the words and composed the music for Discovery, a Choral Symphony, World Premiere in Portland, and Melbourne Premiere, in August, 2008. Discovery is now issued as a CD/DVD.
More recently, in 2010, her CD Spirit Country, comprising the Dandenong Ranges String Quartet, the Wimmera Quartet for Flute and Strings, and the Tharawal Sonata No 1, for Violin and Piano, was launched at Photonet Gallery in Fairfield, Victoria.
In 2011 she was Composer in Residence at Montsalvat, in Eltham, Victoria, where she wrote Montsalvat, Sonata No 2 for Violin and Piano.
Research into aspects of arts and contemporary society has remained an important component in her working life.
Her two-year project, Focus on Water, saw the development of a number of community projects, including West Wimmera Photography Competition, and Lake Bolac Eel Festival. For the first Eel Festival, under her direction, dramatisation of the Eel Life Cycle, and Aboriginal connection to, and significance of Lake Bolac, was presented as a major music/art/drama collaborative performance in Ararat Performing Arts Centre by students from Ararat and Melbourne.
Many years of collaboration with former Senior Lecturer in Drama, Peter Green, saw the generation of new plays and outdoor performances, notably Louisa, (Winner of the Saltwater River Drama Festival, 1977), and Orpheus, a modern reworking of the ancient myth in environmental terms by poet Moira McAuliffe, both outdoor, and at La Mama, 2000.
Dindy Vaughan's music has been played in Canada, China, New York, Europe and Australia, and on ABC and 3MBS FM. She is represented by Vaughan Willoughby, Yanagang, Willowmavin and Reed Music Publishing.
In 1996 Dindy Vaughan was the recipient of the prestigious University of Sydney Alumni Award for Achievement in Community Service.
She appears in Marquis Who's Who in the World Millennium Edition, Outstanding People of the Twentieth Century, Outstanding Intellects of the 21st Century, and Who's Who of Australian Women. She was recognised as Woman of the Year Representing Australia 2009 by the American Biographical Institute.
NU' DAY 2008
2017 release, music by Dindy Vaughan, pianist David Laughton Available from
" a wonderful and clearly defined compositional voice" - international performer, composer and conductor John Carmichael
By Dindy Vaughan. CD and DVD.
Music Glenelg in collaboration with the Friends of the GSWW, commissioned Dindy Vaughan to write this Choral Symphony. A video recording by Peter Corbett and a CD audio by Brian Cavagnino were produced to immortalise the event.
A CD of original compositions by Dindy Vaughan
Chamber Music for Clarinet, Flute, Cello and Piano, with Craig Hill, Mardi McSullea, Tamara Kohler, Rosanne Hunt and Larissa Cox
Nu' Day 2008: twelve piano pieces for the year of the Apology
The Apology to the Stolen Generations in 2008 was a landmark year for Indigenous people.
While the Apology brought the Stolen Generations of the past firmly into the present national consciousness, next steps are to reverse the current trends, where children are still being removed in large numbers. Indigenous voices, from such organisations as National Congress, are more and more loudly demanding that they be consulted and made responsible for decisions about their own lives and futures.
Nu Day looks at each month of 2008 in a series of piano works. reflecting on the past, celebrating the present, and looking towards a positive future.
MUSIC BY DINDY VAUGHAN
PIANIST DAVID LAUGHTON
Nu' Day 2008 was successfully launched on Saturday 27th May 2017, at 4PM at the Australian National Academy of Music
BODY OF WORK
From 1994-2010 Dindy Vaughan was Founding Conductor
and Director of Burnt Bridge Junior and Burnt Bridge Senior Orchestras.
From 2005 she instituted regular music tours for these orchestras to play at Lake Bolac Eel Festival, and also later with Lameroo P12 College in South Australia.
These country and interstate tours were of great educational value for participants as they got to know rural Victoria, and a small, relatively isolated Mallee town in South Australia. Conversely, reciprocal tours bringing country students to Melbourne, greatly enlarged their view of the world.
Brown Jug Polka (2006) Arr D.V. For Junior Orchestra
Score and Parts, Yanagang Publishing
Who Let the Chooks Out? (2006) For Junior Orchestra
Score and Parts, Yanagang Publishing
Yanagang Greeting (2006) For Junior Orchestra
Score and Parts, Yanagang Publishing
Burnt Bridge Bender (2006) Duo for Violins.
Over and Out (2006) Trio for Two Violins and Cello
FOR YOUTH ORCHESTRA
Our Sun, Our Earth, Our People (2006)
Celebration : Our People
For Croc Fest, Swan Hill, 2002
Score and Parts Yanagang Publishing 2006
Spring Tide, Wilson’s Promontory (2006)
Score and Parts, Yanagang Publishing
Koonung Creek (2006) For Youth Orchestra
Score and Parts, Yanagang Publishing
Starry Night in Mullum Mullum (2006) For Youth Orchestra
The Cello Spike (2008) For Youth Orchestra
The Water Spirit Big Desert, Burnt Bridge, The Birds Suite, Lake Bolac Suite No 3, Planxty Petula Bannard, Stephanie’s Waltz and You Can’t Put Out the Flame Suite No 2.
YOUTH MUSIC - GENERAL
Burnt Bridge Orchestras also performed on an annual basis for Community Aid Abroad Fundraising concerts, first held at Box Hill High School, then later at Blackburn Secondary College.
The orchestras also played regular concerts in their local area, including school fetes, Retirement Villages, and in local halls, including Bush Dances.
Written and Performed at Successive Lake Bolac Eel Festivals
Kooyang (2004) For Junior Chamber Orchestra and Choir
Performed at the First Lake Bolac Eel Festival in Ararat Performing Arts Centre, and at Lake Bolac Festival
Lake Bolac Suite No 1 (2004-5) For Junior Chamber Orchestra
Elvers Migration, Hopkins River
Performed at Lake Bolac Eel Festival, 2005
Lake Bolac Suite No 2 (2005-2006) For Junior Chamber Orchestra
Ritornello : The Singing Land, Elvers Migration, Hopkins River
Gathering of People
Performed at Lake Bolac Eel Festival 2006
Times of Change (2007) For Junior Orchestra
Performed at the Lake Bolac Eel Festival 2007
You Can’t Put Out the Flame (2008) For Junior Orchestra
Performed at the Lake Bolac Eel Festival 2008
In Memoriam, for Black Saturday Victims(2009). For Junior/Senior Orchestra
For Lake Bolac Eel Festival 2009
Fiddledeedee Volume 1 & 2
Violin Tutor for Australian Children
Systematic Tutors reflecting Australian Culture and Society
Begginers (Volume 1) and Well On the Way (Volume 2)
Material in one, two and three parts, with historical notes, relevant music theory, and words and dance steps where appropriate. Good for both Private and Group tuition.
Fiddle and Folk : Dances and Songs for Australia Today
All Original Material, Dances, Dance Steps, Songs. First Published 1992. Reissued 2013 : For Violin, Guitar, Vocal by Yanagang Publishing.
Works by Dindy Vaughan
RESEARCH AND WRITING
Research/Writing by Dindy Vaughan
1960-66 – A youth leadership course devised by Oliver Fiala, at the time a recent immigrant from Chekoslovakia, promoted strong emphasis on components of music, drama and visual arts in community interactions.
This resonated very strongly with Dindy Vaughan, a young participant, becoming a cornerstone of her subsequent working life.
Dindy had grown up in a small bush town where, post-1930s Depression, nobody had much in the way of material goods; post-World War 2, with parents passionate about art, music, and education, Dindy and family felt the gulf between their aspirations and the general consensus in the town, where such things were seen, in the main, as “not for the likes of us”.
Dindy had already realised that this prevailing attitude was why so many gifted Australians fled overseas to further their careers – there was a yawning gap between them and the general Australian community. From an early age she had resolved to change that, and the teaching of Oliver Fiala was an inspirational catalyst.
DRAMA/THEATRE, MUSIC, COMMUNITY ARTS, COMMUNITY PROJECTS
1960-67 – as a part-time student at the University of Sydney, working as a Scanner in the High Energy Nuclear section of the Department of Physics, Dindy nevertheless embraced Oliver Fiala’s teaching to the full.
In her early years she gained recognition as;
* choral conductor, chief conductor of Sydney University Musical Society Choir 1966, and Founding Conductor of Flinders University Choral Society 1967
* music theatre performer, both at University and in downtown Sydney
* singer, regular work with ABC Radio broadcasts workshop presenter
* recreational Therapist, volunteer at Broughton Hall Psychiatric Centre, and employed at the Paton Asthma Centre. Of the latter, Dr Clair Isbister wrote……”her work has set the pattern that we have followed since”
1970-82 – career paths at this point were diverging, but ultimately she opted to accept an academic lectureship at Royal Melbourne Institute of Technology.
Dissatisfied, however, with the narrow focus, after some years she moved into community projects, maintaining part-time lecturing at Footscray Institute of Technology, and, later, being an Academic Assessor for Deakin University.
During these years, workshops were a major feature, resulting in much creative writing
* generation of theatre by students at FIT, with Louisa, and With the Odds Stacked Against You, winning the Saltwater River Drama Festival in 1975 and 1976
* women’s studies, Mountain District Women’s Co-operative, where she also established Matriculation classes, with very high success rates of students,
* community development, writing many successful submissions and funding applications.
Her major interest in Music composition, ongoing since University days, continued, with a number of works for theatrical productions.
In 1979 she accepted a full-time position as Community Arts Officer with the City of Nunawading , where she,
* developed Artist in Schools, and Galleries in Schools, programs
* assisted formation of a local Disability Awareness Group
* wrote a weekly Arts Column for the local Leader newspaper
* developed arts and crafts classes in local community houses
* instigated and co-ordinated special arts events (eg a huge community weaving), demonstrations and exhibitions of art and craft in public places, ethnic dance groups, and integration of intellectually disabled adults with schools and community groups
* acted as one of the consultants for the development of Nunawading Community Theatre Complex (now Whitehorse Theatre).
In 1982, severe family illness forced a radical rethink of career.
Setting up business from her home base, Dindy developed a series of inter-related programs, Music Composition becoming a major focus (see Body of Work for Compositions and Youth Music).
Her business Gallery Without Walls developed and expanded opportunities for many musicians, visual artists and writers, activities including
. regular exhibitions of art work, frequently accompanied by music performance, both at home base, and touring to accompany other events. such as Music in the Round, and Ballarat Arts Post; also permanent exhibitions in other business premises.
. published books of poetry, ( Ocean, Salt’s Handkerchief, by Levantai, and Fighting Monsters by Judith Steele and Moira McAuliffe), essays and books on visual artists
. published music
. set up ongoing classic concerts by professional chamber performers in local communities, Burnt Bridge Classic Concerts, Sunday Afternoon at St Johns, Croydon, and Classics in the Caf at Burrinja, Upwey, all co-ordinated, directed and funded by Gallery Without Walls
. acted as Consultant for young professional musicians, such as Berkeley Ensemble
. researched and wrote on contemporary artists at behest of the Australia Council, resulting in their publication of Multiculturalism and the Arts and Perspectives on Visual Arts (see Research/Writing)
. invited to be Composer in Residence, 2012, Montsalvat, Eltham, Victoria.
Development of Music for Youth was also an important focus
. taught in schools, and from home studio
. established many music progams, including pre-school music, Burnt Bridge Junior and Senior Orchestras, and ongoing participation in Community Aid Abroad concerts; also Kids Concert Club, with regular attendance at Australia Pro Arte Concerts
. instituted regular country and interstate tours for Burnt Bridge Orchestras, performing at both Lake Bolac Eel Festivals and Lameroo P12 College, SA, and organising reciprocal tours and performances in Melbourne for country students.
Environmental issues also were a major focus
. researched, wrote and published LIAISE (regular review of local issues) and Environmental Action Resource Catalogue; contracted to proofread and provide commentary on the final draft of the Croydon Consultative Committee Report.
Setting up Focus on Water, 2004-5, Dindy worked on consultation and development with communities across Victoria, including East Gippsland, Lake Bolac, West Wimmera, Shire of Buloke, North Central, Lake Condah and Mansfield, resulting in instigation of the Lake Bolac Eel Festival, West Wimmera photography competition, a number of one-off workshops, and Dindy’s composition of a CD of music for shakuhachi (Anne Norman) and harpsichord (Peter Hagen) Up the Creek, a Finalist in the Australia Classic Music Awards 2006; subsequently also awarded a commission to compose a Choral Symphony, Discovery, for the Great South West Walk.
Oral history was always an important facet, being a major tool in researching aspects of contemporary arts; in 1993-5 Dindy recorded an extensive oral history of the Burnt Bridge area with John Rodaughan, a man of Aboriginal descent. These aural tapes are now lodged with Monash University.
From 2004-12 Dindy also undertook research and writing for Neil McLeod Fine Arts Studio, encompassing oral history of aspects of his work in PNG, and with Aboriginal people in Australia. Extensive research of his recorded material (written notes, CDs, Videos, DVDs, photographs), with cataloguing, extensive study of diaries, a wide bibliography and detailed interviews, eventuated in the production of the text of a comprehensive biography.
Current Work in Progress includes recording three CDs: Homecoming, (Flute, Clarinet, Cello, Piano), A Time and Place (String Quartet, Clarinet, Voice, Piano) and You Can’t Put Out the Flame (Piano Solos); a second Symphony is also in preparation.